2/28/2024 0 Comments Omnipresent narrator definition1 Their narratives focus on the physical and psychological effect of violence on the victims, probing what happens to human beings when they are exposed to extreme violence. First-person memoirs by Robert Antelme, Ruth Klüger, and Primo Levi, or works of semi-autobiographical fiction by Jorge Semprun, among others, present extreme violence, torture, and mass murder from the point of view of those who suffered it and survived. This is the case, for example, in autobiographical witness literature on the Holocaust. Depictions of violence are often explicit and detailed as such they carry the danger of reproducing physical violence on another level, including potentially negative emotional effects (fear, disgust, anger) on the reader-witness.ĢMost narratives about violent events set in the historical past focus on the victims (Suleiman, 2009). Whether as a subject or as a mode of representation, it tends to have an intense emotional effect on readers and is usually perceived as a transgression (of the rules of society, or of the limits of the body, to name just two instances). Violence can also be a mode of representation, that is, the manner of its representation in fiction can itself be violent. Readers of narrative fiction are accustomed to encountering violent historical contexts such as the Holocaust, or the genocide in Rwanda, or the military dictatorship in Argentina on the page. 1 Acts of violence grounded in historical events are a common subject across different forms of fictional narrative – from literature and film to television, comic books, and video games.
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